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Fox Entertainment Global Hires UK Content & Acquisitions Boss

Fox Entertainment Global Bolsters Leadership with Key Hire of Liz Tang as EVP of Content Acquisitions Amid Strategic Expansion

In a significant move underscoring its ambitions in the global content distribution landscape, Fox Entertainment Global (FEG) has announced the appointment of Liz Tang as its new Executive Vice President of Content Acquisitions. This hiring comes on the heels of the recent departure of Prentiss Fraser, who had served as EVP of Television Distribution, signaling a period of transition and growth for the company as it seeks to strengthen its position in international sales and content servicing.

Tang, a seasoned executive with a robust track record in television and film acquisitions, joins FEG from Lionsgate, where she held the position of Senior Vice President of Worldwide Television and Acquisitions. In that role, she was instrumental in spearheading the acquisition and distribution strategies for a diverse portfolio of content, including high-profile series and films that resonated across global markets. Her expertise in identifying and securing compelling programming has been a cornerstone of her career, making her a natural fit for FEG's evolving needs.

Prior to her tenure at Lionsgate, Tang built an impressive resume across several prominent entertainment entities. She served as Vice President of Acquisitions at Sonar Entertainment, where she focused on sourcing independent films and television projects for international distribution. Earlier in her career, she held key positions at Voltage Pictures, known for its involvement in acclaimed films like "The Hurt Locker" and "Don Jon," and at Myriad Pictures, where she contributed to the acquisition and sales of a wide array of content. Tang's journey in the industry began at Lionsgate itself, in a more junior role, before she branched out to gain broader experience. This cyclical return to a Lionsgate alum status highlights her deep-rooted connections within the sector.

At FEG, Tang will report directly to Tony Vassiliadis, the Executive Vice President of Fox Entertainment Global. Her primary responsibilities will include overseeing the acquisition of third-party content for global distribution, a critical function as FEG continues to expand its footprint beyond its core Fox-produced programming. This includes managing relationships with independent producers, negotiating deals, and ensuring that FEG's content pipeline remains diverse and appealing to international buyers. Vassiliadis expressed enthusiasm about Tang's arrival, stating, "Liz's unparalleled expertise in content acquisitions and her keen eye for globally resonant storytelling will be invaluable as we continue to grow our sales and servicing business. Her track record speaks for itself, and we're thrilled to have her on board to help drive our next phase of expansion."

The timing of Tang's hire is particularly noteworthy, following the exit of Prentiss Fraser in July. Fraser, who joined FEG just a year prior from Starz, where she was Senior Vice President of International Distribution, played a pivotal role in establishing the company's television distribution arm. During her brief but impactful stint, she helped lay the groundwork for FEG's international sales operations, focusing on licensing Fox's original content to platforms and broadcasters worldwide. Her departure was described as amicable, with Fraser reportedly seeking new opportunities after contributing to the initial setup of FEG's distribution framework. Industry insiders speculate that her exit may be tied to the company's rapid evolution, as FEG shifts from a nascent player to a more established force in the competitive global market.

Fox Entertainment Global, launched as a dedicated international sales and distribution division under Fox Corporation, has been aggressively building its portfolio since its inception. The company handles the global distribution of Fox's in-house productions, such as popular series like "The Simpsons," "Family Guy," and newer hits like "Animal Control" and "Grimsburg." Beyond its own content, FEG has been increasingly active in third-party acquisitions, partnering with independent studios to distribute films and series that complement its lineup. This strategy aligns with broader industry trends, where media conglomerates are diversifying their offerings to capture a larger share of the streaming and linear TV markets amid cord-cutting and the rise of ad-supported platforms.

Tang's appointment is seen as a strategic enhancement to this model. With her background, she is expected to accelerate FEG's efforts in acquiring premium content from around the world, potentially including international co-productions and genre-specific programming that appeals to niche audiences. For instance, her experience at Lionsgate involved deals for series like "Mad Men" and "Orange Is the New Black" in their distribution phases, demonstrating her ability to navigate complex licensing agreements and maximize revenue streams.

Industry analysts view this hire as part of Fox's broader push to compete with giants like Disney, Warner Bros. Discovery, and NBCUniversal in the international arena. As streaming services continue to globalize, the demand for high-quality, localized content has surged, and FEG's focus on acquisitions positions it to capitalize on this. Tang herself commented on the opportunity, saying, "I'm excited to join Fox Entertainment Global at such a dynamic time. The team's vision for expanding their content offerings is inspiring, and I look forward to contributing to their growth by bringing in fresh, engaging stories that connect with audiences worldwide."

Looking ahead, FEG's leadership changes suggest a company in flux but with clear momentum. The integration of Tang's acquisition prowess with the existing distribution infrastructure built under Fraser could lead to innovative partnerships and an expanded catalog. For example, FEG has already secured deals for content like the animated series "Krapopolis" and procedural dramas, and Tang's involvement may open doors to more eclectic acquisitions, such as foreign-language series or documentary features that have gained traction in the post-pandemic viewing landscape.

This development also reflects the fluid nature of executive roles in Hollywood, where talent mobility is high, and companies like Fox are investing heavily in human capital to stay ahead. As FEG continues to evolve, Tang's hire represents not just a replacement but a forward-looking enhancement, poised to elevate the company's global profile. With her at the helm of content acquisitions, FEG is well-equipped to navigate the challenges of a fragmented media ecosystem, where content is king and strategic acquisitions can make all the difference in capturing viewer attention across borders.

In summary, Liz Tang's arrival at Fox Entertainment Global marks a pivotal chapter in the company's journey, building on the foundations laid by predecessors like Prentiss Fraser while charting a course for sustained international success. As the entertainment industry grapples with economic pressures and shifting consumer habits, moves like this underscore the importance of agile leadership and a keen acquisitions strategy in maintaining relevance and profitability. (Word count: 928)

Read the Full Deadline.com Article at:
[ https://deadline.com/2025/08/fox-entertainment-global-hires-liz-tang-after-prentiss-fraser-1236484416/ ]